Watchmen Film Analysis Sample Essay

Watchmen Film Analysis Sample Essay.

Watchmen Film Analysis Sample Essay

Category: English

1. Having screened the pilot episode of Watchmen, compare and contrast the four popular articles on the HBO series. 2. Explore how each engages the media text in terms of quality, socio-cultural impact, and play with genre and history. 3. Explain why you would label the articles as either hot takes or reviews—and in what instance, you would prefer one over the other. 4. How did their assessment compare to your view of the series’ premiere?
This criterion is linked to a Learning OutcomeIntroductionThe main idea of the draft can be clearly and easily summarized. The opening establish a clear starting point for the paper (a thesis, or at least a focused topic).2 pts Full Marks 0 pts No Marks2 pts
This criterion is linked to a Learning OutcomeBody of the PaperYour analysis is well supported through the use of the assertions and quotations from the assigned articles and textual analysis (generated by close readings of the media text).2 pts Full Marks 0 pts No Marks2 pts
This criterion is linked to a Learning OutcomeConclusionThe conclusion is not merely repetitive, it synthesizes ideas, suggests new directions of thought, re-evaluates the introductory statements.2 pts Full Marks 0 pts No Marks2 pts
This criterion is linked to a Learning OutcomeFinal Impact of the PaperThe paper ends with a persuasive, strong and thoughtful
impact overall.
1 pts Full Marks 0 pts No Marks1 pts
This criterion is linked to a Learning OutcomeDeficienciesHas there been any significant aspect of the question been neglected?

Film Question

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  1. Having screened the pilot episode of Watchmen, compare and contrast the four popular articles on the HBO series.

All the articles show awareness of the message of racism within the film. Butler states that during the first several minutes, audiences receive a strong picture. African American grownups scream and shout while holding their limp, immobile babies; shop fronts are damaged and set on fire by smiling white people KKK supporters. Shrieking and weeping Black women are killed; armed, rushing Black inhabitants fall over the slaughtered bodies of their neighbors and friends while trying to run away (Butler, 2019). Blasts and air bombings demolish residences, and the lifeless bodies of African Americans are dragged across the battleground, set up on the backs of pickup vehicles. That point is that this is a program that will discuss race, particularly racism, and will endeavor to do it without holding back.

In contrast to Nussbaum’s article, the film’s central theme, including its fundamental intent, is blackness: it’s a demonstration about pop culture’s prospects to recognize black individuality as a default, and, quite specifically, regarding African-Americans getting characters by which they have sometimes been left out, such as soldiers, police officers, and action heroes.

Poniewozik explains that “Watchmen” tries hard to make the point that racism is horrible, but it fails to detail how it operates (James Poniewozik, 2019). According to Poniewozik, “Watchmen doesn’t delve much into how this alternative world could have become so reverse-polarized, other than the election of what sounds like a P.C. administration out of an alt-right persecution fantasy.”

On the other hand, Young sees the film as perhaps one of the most prominent and efficient effects of white dominance in a kind of selective memory of the American historical past. Unpleasant, narrative-clouding truths are either buried or purposely misremembered (Young, 2019). Even search engine sections on the murder of Black Wall Street describe it as the “Tulsa race riot,” implying a revolt or fight rather than a mass execution.

  • Explore how each media text engages in terms of quality, socio-cultural impact, and play with genre and history.

The article by Butler portrays a war against Greenwood’s flourishing Black population, as it is by all records. Depicting socio-cultural impact, he explains the exact number of deaths debated among surviving observers and scholars. These numbers range from 60 to 250; it is often considered the deadliest act of racial terrorism in U.S. records, with over 5,000 Black Greenwood inhabitants imprisoned and incarcerated. It’s an enthralling, distressing start that keeps the spectators riveted to their displays. This scene bolsters a common discussion point among law enforcement supporters: harm mitigation reforms constrain police at the risk of their safety and capacity to execute their jobs (Butler, 2019). Using U.S. history, he shows how the police are always in grave danger in the show. They are hunted down by a ruthless and discriminatory militia known as The Seventh Kalvary and are compelled to cover their identities behind masks. This is different from the current society, where citizens are always in danger of the police.

Nussbaum writes about the social-cultural impact of racism in her article. From the report, the first sequence of the movie brings racial brutality to the forefront. Other cops almost lynch will, and when he dons a hood to battle crime incognito, he keeps the rope around his neck. Captain Metropolis, his Caucasian lover, encourages him to hide his identity since the public is not prepared for a black hero. This shows that even though people need saving, they are skeptical about a black person being their leader. Historically, black people are a minority, and being a leader is reserved for a white person. His campaign against the Klan is also dismissed by the Minutemen, leaving him to struggle solo.

Poniewozik expounds on the irony of police officers being the targets in the movie. When today’s news are filled with white police killings, it’s uncomfortable, at the very least, to view cops as progressive anti-racists (James Poniewozik, 2019). This is unheard of because police are seen as the villain in black killings in U.S. history.

Young is concerned about the slave plantations still in possession of white people. These plantations signify the slavery and racism that is fresh in people’s minds. This completely mistaken ecosystem is an environmental factor that re-energizes violence by deceiving individuals who are victims of it (Young, 2019). While its roots can be seen all over the place, none are more ominous than the macabre American tradition of the plantation’s marriage.

  • Explain why you would label the articles as either hot takes or reviews—and in what instance you would prefer one over the other.

The articles by Butler, Nussbaum, and Young review the film’s plot and the history of the United States (Young, 2019). The authors are more concerned about the history of racism and the effort the filmmakers and producers put into creating a setup for the mass killings of back people in Greenwood’s flourishing Black population.

I would label Poniewozik’s article as a hot take because most of the statements are linked to thepresent world and instances of comic connection (James Poniewozik, 2019). He is more interested in the quality of the movie and characters than the plot and storyline of the film.

  • How did their assessment compare to your view of the series premiere?

Watchmen, in my opinion, does an excellent job with its racial themes. Watchmen is a powerful, daring narrative that commits a few mistakes along the way, but at its core, it’s a tale about assessing the world’s current status through the prism of superhero clichés. Watchmen is so pioneering that it changed the perspective in superhero narratives overall, and it’s all channeled via a set of superhero conventions and patterns, which it employs to portray lessons about the world we exist in nowadays and how unfair it is. The world has been saved, yet it remains the same. Nothing seems to get any easier. The majority of superhero tales still revolve around a white man from a large city. As a result, a superhero storyline about a black female from the Midwest has her profound viewpoint transformation. One might find Watchmen’s attempts at political significance confusing. Those stabs were often striking, typically exquisite, and always engaging.  However, anyone who watches their sorrow and pain displayed on T.V. may feel cultural appropriation of a societal truth that strikes me as the center of a gut-wrenching thriller.


Butler, D. (2019). Is “Watchmen” A Bold Critique On White Supremacy Or More “Copaganda”? – Shadow and Act. Shadow and Act.

James Poniewozik, Review: “Watchmen” Is an Audacious Rorschach Test (Published 2019). (2021). The New York Times.

Nussbaum, E. (2019). The Incendiary Aims of HBO’s ‘Watchmen.’. The New Yorker2

Young, D. (2019, December 16). Maybe It’s Time to Just Burn Down Every Plantation. The Root; The Root.

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